Margaret Kilgallen: From Graffiti to Museums
Margaret Kilgallen
by Ben Kokkelenberg on May 13
Untitled (around 2000). Courtesy the Estate of Margaret Kilgallen and Ratio 3. San Francisco
Margaret Kilgallen, born on October 28, 1967 in Washington D.C, grew up in the San Francisco area. She was immersed in bluegrass music, and learned to play the banjo. This musical led her to draw the sounds she heard without knowing what she was drawing. Her drawings in the beginning focused on heroines and on empowering women. As her artwork progressed, she chose the medium of graffiti to display her art for the world.
Art21’s documentary “Place” created in 2001, shows an interview with Kilgallen in which she talks about her inspirations and her artwork. She explains why she enjoys displaying her art through graffiti. Kilgallen says, “the viewer looks at graffiti and sees garbage and I always wonder why they don’t look at billboards, [especially around San Francisco, there’s millions everywhere] isn’t that garbage, that’s like mind garbage.” Kilgallen’s artwork evolved from graffiti to room-size murals, more similar to contemporary museum art.
Pilar 1999
She would go on to exhibit in several group shows in various San Francisco galleries, and later on had solo exhibitions in some of the most notable art cities and museums. Throughout her career, she worked with several artists, including husband Barry McGee and Phill Ross. Her life ended abruptly in July of 2001 when she lost her fight to breast cancer. Her legacy, however, will always remain because of her various artworks.
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